Name: Pancha Buddha Set of Shakyamuni Buddha, Amitabha Buddha, Ratnasambhava Buddha, Vairochana Buddha, Amoghasiddi Buddha, Buddhist Handmade Statue, Full Gold Plated, Face Painted and Stone Setting – 32 × 21 cm | Copper by Gyelwa Nga, Wu Fo, Go Butsu – Handmade Handicraft
Brand: Handmade Handicraft
SKU: HME31347
Price: 4800.0 USD
Availability: InStock

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Pancha Buddha Set of Shakyamuni Buddha, Amitabha Buddha, Ratnasambhava Buddha, Vairochana Buddha, Amoghasiddi Buddha, Buddhist Handmade Statue, Full Gold Plated, Face Painted and Stone Setting , Five wisdom Buddhas, united in enlightenment Gyelwa Nga Wu Fo Go Butsu
Product Specification
Code	HME31347
Size	Height 32cm (13") Width 21cm (8") Depth 14cm (6")
Weight	15904 15.9 kg - 35.06 lbs
Material	Copper
Availability	Available

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$61 Filling and Blessing

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$55 Filling Only

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$14 Blessing Only

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$77 Monastary of Choice

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Statue Finishing

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$72 Partly Gold Plated

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$85 Partly Gold Plated with extra gold

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$139 HQ, Partly Gold Plated

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$72 Electro gold Plated

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$92 Electro Gold with painted Face

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$92 Electro Gold with Antique finish

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$105 Electro Gold Plated with Painted face an

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$173 Full Gold with face paint

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$159 Full Fire Gold Plated

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$240 HQ, Full Fire Gold with face paint

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$173 Full Fire Gold Anique Finishing

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$246 HQ, Full Fire Gold With Matt Finishing

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$260 HQ, Full Fire Gold with Antique Finihsin

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$287 HQ Full Gold with Gold Painted Skin

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$72 Colors only Basic

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$173 Color and Gold Good

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$240 Good Quality Color and gold Good Quality

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$173 Color Gold and Sivler

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$240 HQ, Color and Stond Setting

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$341 HQ Gold Empahised Color support

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$542 HQ, Cremamic wasable Color, with Gold

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$25 Chocolate Oxidized

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$25 Dark Chocolate oxidized

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$38 Chocolate oxidized with Silver plating

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$31 Double Color Oxidation

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$31 Chocolate Oxidized with Painted Face

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$31 Silver Plated Oxidized

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$38 Extra Silver Plated Oxidized with Painte

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$45 Silver Plated Double Color Oxidized wit

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$85 Silver Plated, Gold ornament, with Doub

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$85 Silver Skin and Gold ornaments Plated D

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$25 Antique With red Powder

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$45 Antique finishing with face paint

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$85 Green antique finishing

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$125 Painted Antique Finishing

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$105 Super Antique

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$11 Glossy Finished

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$25 Copper Plated

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$58 Stone Setting

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$65 Stone Setting & Antique Finishing

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Quantity	(Minimum Order Quantity: 1) PCS	US$ 3,600.00 $ 4,800.00 -25% off Shipping Cost
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weight of 1 Pcs of the product is 16 kg and will cost USD $ 231.00

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Item location: kathmandu, Nepal
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Pancha Buddha

Five Dhyani Buddhas, popularly known as Pancha Buddha are five representatives of five different qualities of Shakyamuni Buddha. Pancha Buddhas are also known as the Five Wisdom Tathagatas and are widely respected in Vajrayana Buddhism. In Sanskrit, they are known as the Five Conquerors, or Victor, and are a common subject in Vajrayana Buddhist tradition. As you may have noticed in many Thangkas or collections of five Buddha statues in Buddhist people's residences, these collections of Buddha statues are quite popular for their great five different qualities. These Pancha Buddhas are Vairochana, Akshobhaya, Amitabha, Ratnasambhava, and Amoghasiddhi.
These Five Buddhas represent five paradises in five different directions i.e. Central, East, West, North, and South. In both Nepali Buddhism as well as Tibetan Buddhism, these Pancha Buddhas are represented in different Buddha statues, Buddha images, paintings as well as Thangkas, etc. The collection of Nepali Buddha statues must consist of a set of five Pancha Buddhas or it is considered incomplete. This state how much important the Pancha Buddhas are especially in Nepalese and Tibetan Buddhism. Read More

Characteristics

The following shows the importance and characteristics of Pancha Buddhas in the life of Buddhist people.

Vairochana Buddha
Vairochana Buddha is considered as the supreme Buddha among Pancha Buddha. This Premordial Buddha represents the wisdom of Sunyata or essence of the Dharma realm meditation mudra. In Tibetan Buddhism, Pancha Buddha are drawn together in a mandala, it is always that Vairochana Buddha is in the center of Mandala. Vairochana Buddha statues are mostly depicted in white color and it is believed that if one meditate saying matra on Vairochana buddha, it helps to vanquish ingnorance. Vairocana Buddha Statues is quite popular among the Tibetan Buddha statues since the core of Jokhang temple is the Buddha image of Vairocana Buddha and Jokhang temple is one of the few important Buddhist pilgrimage sites in Tibet.
Ratnasambhava Buddha
Ratnasambhava Buddha represents the South Skandha and is believed to reign over it just like other Buddha. Ratnasambhava Buddha statues is especially depicted in yellow color and represents richness. Ratnasambhava Buddha is shown in Varada Mudra, also known as Boon giving mudra, one of the different styles of Buddha statues. In Mandala, Ratnasambhava Budhda is shown facing South.
Amoghasiddhi Buddha
As the Buddha reigning over North Skandha, Amoghasiddhi Buddha is believed to protect or destroy every ounce of envy or jealousy from the heart of people who meditate on Amoghasiddhi Buddha. Amoghasiddhi Buddha statues are depicted in green color holding double vajra. Since he is represented as the protector from envy, Amoghasiddhi Buddha is shown in Abhaya mudra.
Akshobhaya Buddha
Among Pancha Buddhas, Akshobhaya Buddha is quite popular representations of Buddha. Akshobhaya Buddha is depicted in Blue color, holding vajra with left hand and touching the earth using earth touching Mudra. Akshobahaya Buddha is considered as the heavenly Buddha who reign over the eastern Paradise and represents the fifth Skandha. By meditating on the name of Akshobhaya Buddha, one can overcome any kind of anger as well as hatred.
Amitabha Buddha
In many Asian countries, Amitabha Buddha of Pancha Buddha is greatly respected and followed by large number of Buddhist people as well as Buddhist monks. Amitabha Buddha is also the heavenly Buddha who reign over the Western Paradise and is represented in red Color, holding lotus which symbolizes gentle and pure. Amitabha Buddha stands in the center of Pure Land which is considered as heavenly place where one can be free from all cycles of life. Only who speaks or meditate on Amitabha Buddha can go to Pure Land according to Buddhist doctrines of Amitabha Buddha. Two major Bodhisattvas i.e. Avalokiteshvara and Mahasthamaprapta are depicted with Amitabha Buddha statues.
These Pancha Buddha are greatly respected by Newari Buddhism as well as Nepali-tibetan Buddhist ethnicities. These five Buddhas of five different skandha shows the qualities of Living Buddha and depicted in form of crown known as Five Buddha Crown or Rig Nga in Tibetan Buddhism. One of the key features of Pancha Buddha statues is that the hand postures of each Pancha Buddha are not considered mudra if all five Buddha statues are not placed together.

Our Buddha statue collection provides different styles of antique Pancha Buddha statues, Nepal Tibet Buddha statues, Tibetan Buddha statues, and Buddha sculptures, based on the mudras, etc. You can view our onlince collection for rare, old and antique Pancha Buddha Statues.

what is a Rare find?

This Pancha Buddha is a rare find product, The Rare Find product is an uncommon and elusive product that is difficult to find and likely the only one available for sale. Once sold, Pancha Buddha will be removed from the listings or marked as sold. This rarity and exclusivity make it highly sought-after by collectors and enthusiasts, offering a unique and irreplaceable addition to any collection.

Finishing: Stone Setting

The Pancha Buddha is adorned with an exquisite array of semi-precious stones, including turquoise, coral, and lapis lazuli. These stones are carefully selected and meticulously placed on the Pancha Buddha's surface, adding a touch of opulence and enhancing its overall beauty. Each stone is thoughtfully positioned using a high-quality adhesive, ensuring secure and long-lasting attachment. The vibrant colors and unique patterns of the stones create a captivating contrast against the backdrop of the Pancha Buddha, elevating its visual appeal and making it truly eye-catching. Read More

Gold Painted Face

The face of Pancha Buddha is painted with gold to enhance its significant features, particularly the eyes, and lips. This detailed painting is essential as it brings forth the crucial attributes of the expression of eyes and lips that metal carving alone cannot capture.
Moreover, the painted face serves as a symbolic and sacred ritual in Buddhism, preparing the statue for consecration and practice. The act of painting the face with gold in Buddhism holds deep meaning. It represents the intention to bring life and expression to the statue, imbuing it with a sense of vitality and presence. The application of gold on the face showcases the devotion and craftsmanship of the artisans, ensuring that every detail is carefully attended to honor the sacred essence of the Pancha Buddha. Read More

Full Fire Gold Plating

This Pancha Buddha is finished with full gold plating. also known as mercury gold plating or fire gold plating. This traditional technique involves the application of a genuine layer of gold onto the Pancha Buddha. Referred to as mercury gold plating, it is considered the correct and authentic form of gold plating in Nepal. Despite being more expensive than electroplating, this traditional mercury gold plating is gaining popularity again in Nepal. People are drawn to its authenticity, longevity, and the unmatched beauty it brings to the Pancha Buddha. The resurgence of interest in this traditional form of gold plating reflects a growing appreciation for the craftsmanship and cultural heritage of Nepal Read More

Lost-Wax System

This Pancha Buddha is made by the process of the Lost-Wax system. The lost-wax process, also known as investment casting, is a time-honored technique used to create metal sculptures. It involves several steps that have been practiced for thousands of years. Skilled artisans begin by sculpting a detailed wax model, capturing every intricate detail of the desired sculpture. The wax model is then coated with a ceramic shell, formed by multiple layers of ceramic material. Once the shell has cured, the wax is melted and drained out, leaving behind a cavity. Molten metal is poured into the cavity, creating a precise replica of the original wax model. After the metal has cooled and solidified, the ceramic shell is carefully removed, revealing the final metal sculpture.

Process of loss wax system

The lost-wax process offers exceptional quality control and customization, making it a preferred choice for artists seeking intricate and personalized metal artwork. Despite the availability of newer methods, the traditional lost-wax technique continues to be valued for its historical significance and the craftsmanship it embodies.

The method of metal casting in which molten metal is poured into a mold that has been created by means of a wax model. Once the mold is made, the wax model is melted and drained away. Bronze statues come to life differently than marble statues. Instead of carving a block or marble, the bronze artist uses the lost-wax technique to make a series of molds and then pours melted bronze into the final mold to create the sculpture. This method has been around since 4500 BCE.

There are a few important steps in the lost wax casting process:
Step 1: Sculpting ( It all starts in the studio with an idea, Then figuring out how to realize the vision in clay.)
Step 2: Mold Making.
Step 3: Wax Pouring.
Step 5: Wax Spring.
Step 6: Shell Dipping.
Step 7: Bronze Pouring.

Interestingly enough Loss wax process is also called Investment casting because after layers have been formed and dried, the wax is melted out of the ceramic tree by using steam (120°C) in an autoclave. This is why it is called "lost wax casting". The majority of the molten wax can then be regenerated and reusable.

Before Making statue :At work room making the wax models.	Softening a piece of wax over a brazier.	Relaxing after softening the wax The working environment with works in progress.
Working the face of an Ekajata wax model.	Working the face of wax model.Using a modeling tool to form the face of Ekajata.	Deatail of wax model
The design for Ekajata compared to the Tibetan book on which it was based.Statues Maker Are master in buddhism .	Detail of A partially finished Candamaharoshana (Acala) wax figure made in the Tibetan style.	A finished wax image of Mahakala.
Anthor Finished Wax Model of Shakyamuni Buddha	One of the modelers working in the room shows the Pehar image on which he is working.	The artist showed how the goat , which had been completed earlier, fits under the image. ,
Tej Jyoti Shakya and his wife, Nani Maya Shakya Covering the wax model in a mixture of clay and dung	Pressing the mixture of clay and dung around the wax image.	The board with the clay and dung mixture ready for use.
Model Pieces drying after the initial (dipped) thin layer of fine clay.	Clay-covered model pieces drying in the sun.	Molds waiting to be put into the burnout furnace
The same molds, seen in the previous image, in the burnout furnace	The double row of refractory bricks used to support the heated molds during casting.	The melting furnace and a pile of coke used for melting the metals. Laying the bed of coke in the melting furnace.
The first ignition of the coke.	Checking the coke bed.	The electric blower used to force air into the melting furnace
Beginning to fill the crucibles with scrap copper.	Preparing the bed of burning coke to receive the crucibles	Sorting various metals used in the alloys.
Weighing precious metals that are used in the alloys	Weighing copper from Singapore to achieve a correct alloy.	Different sizes of crucibles and various types of metals to be cast in this melt.
Placing the crucibles in the bed of coke filled with metal are in place.	After the crucibles are in place, more coke is piled around them.	The crucibles are covered with scrap metal to hold in the heat.
The electric fan is then connected.Soon a very hot flame is produced.	The entire furnace temperature goes up to about 1800 -1900 degrees.	Setting up molds in between the refractory bricks to receive the molten metal. Handling the molds with asbestos gloves and bracing them with fragments of bricks.
Pouring the molten metal into the base of a mold	Another view of the artists pouring the molten metal.Detailed view showing the molten metal being poured into the sprues.	Preparing to lift and pour molten metal from one of the larger crucibles.
Cooling a mold containing the recently poured metal.	Beginning to break away the clay mold from the metal casting. The mold breaks away revealing the metal image inside	The first metal image from the day's work.
Examining the image for flaws	Two auras (prabhamandalas), one that cast perfectly and one (in front) that only partially filled.	Opening more molds

Researchers mark specific metal images for future identification.	Cleaning the details of the image with a metal tool.	Sawing off the sprues from Aura image. The sprue metal will be reused in future castings.

Two auras that worked perfectly. The one on the right has been cut off of the sprues, while the one on the left still has the sprues attached.	The finishing specialist begins the finishing process with a set of tools, including a small hammer. to give more detail	The entire surface of the image will be gently hammered to a final, almost polished finish.

The finisher's tools and the work in progress	Finishing work on an image of the Buddha.	Hammering the chest of an image that is being held against the work block

A Buddha image hammered and chased to the final, detailed finish.	Cleaning in a very mild acid bath. The image and prabhamandala are placed in a final acidic bath to make sure the surface is absolutely clean.	Drying the image with a blow torch.