Name: Five Jambhala Thangka, Buddhist Traditional Painting, Tibetan Style, Oiled Thangka, Old Stock – 69 × 53 cm | Cotton Canvas &amp Natural Color by Dzambhala Nga, Wu Zhanbala , Go Jambara – Handmade Handicraft
Brand: Handmade Handicraft
SKU: HME29715
Price: 240.0 USD
Availability: InStock

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Five Jambhala Thangka, Buddhist Traditional Painting, Tibetan Style, Oiled Thangka, Old Stock , Five Wealth Deities, Bringing Prosperity, Fortune, and Generosity Dzambhala Nga Wu Zhanbala Go Jambara
Product Specification
Code	HME29715
Size	Height 69cm (27") Width 53cm (21")
Weight	200 200 gm - 0.44 lbs
Material	Cotton Canvas & Natural Color
Availability	Available

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Quantity	(Minimum Order Quantity: 1) PCS	US$ 180.00 $ 240.00 -25% off Shipping Cost
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Welcome to Handmade Handicraft

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Five Jambhala

Dzambala is the God of Wealth and appropriately a member of the Jewel family. In Hindu Mythology Jambala known as Kuber. Is also believed to be an emanation of Avalokiteshwor Chenrezig, or the Buddha of Compassion, manifesting as the wealth-giving Buddha(Visit JAMBALA God of Wealth to read more)
There are 5 different wealth Jambala ( See Paintings On right). Each Jambala has its own mantra and practice to help eliminate poverty and create financial stability. Here I am giving some information about 5 wealthy Jambhala and Mantras for worship them. Painting at each side of Jambala will make it easy to visualize how they look like. These are Thanka paintings on cotton canvas. (Visit here to know about Sacred Buddhist Thangka painting). Read More

Yellow Jambala
Yellow Jambala is the manifestation of Buddha Ratnasambhava. He protected the dharma and if anyone calls his name, he will come and help the person. If one has trouble with finance or anything, one can chant his mantra and he will come and help. But one must have a bodhi mind and practice Buddhism properly to attain his blessings. One can also gain wealth, wisdom, intelligence, and at last! Attain Buddha hood!. Yellow Jambala sits on a lotus, sun, and moon disk. He holds a mongoose in his left hand and from its mouth spews forth precious jewels.

Yellow Jamabala Mantra Is :
OM ZAMBALA ZALENDHRAYE SOHA

White Jambala
White Jambala is born from the right eye of Avalokitesvara Bodhisattva, also known as the manifestation of Avalokitesvara Bodhisattva. According to the sutra, his mantra can stop suffering, destroy bad karma and have a bodhicitta or mind. His mantra can also avert disaster and sickness. He also brings wealth to all sentient beings by chants his mantra. Tibetan name is “Dzambhala Gaspee ” which means, white Jambala. White Jambala sits on a snow lion, although some artists depict him sitting on a dragon and in his left hand, there is also a mongoose that spits out precious diamonds and ornaments.

White Jambala Mantra Is :
Om Padma Trotha Arya Zambala Siddhaya Hum Phat

Black Jambala

Black Kubera or Jambala
Black Kubera is the manifestation of Buddha Akshobhaya. Black Kubera is also called the chief of the five great Jambalas as he is said to have given people wealth and happiness. He is also known as one of the Hindu gods of wealth, Kubera. Those who chant his mantra will get wealth and also if one has any kind wishes, he will also fulfill it and bring happiness. Black Jambala has two mantras. Black Jambala Usually Standing upon a corpse and holding Mongoose in his left hand and Kapala is in his right hand. he is Black in color.

Black Jambala Mantras are :
1. Om Zambhala Dzamlim Dzaye Svaha

Red Jambala

Red Jambala is the manifestation of Vajrasattva. He has two faces and four arms and holds a treasury mongoose on his left hand. Tibetan name for him is “Dzambhala Mapo ” If one chants his mantra sincerely, one will be protected by him and also gain wealth and one can lead a very good life and become popular. Red Ganpati also worshiped as Red Jambala.

RED Jambala Mantra:
Om Dzambhala Dzalim Dzaya Nama Mumei E She E , Om Dzachini Dzambhala Dzambhala Svaha !

Green Jambala

Green Jambala is also a form of Buddha Akshobhya, which is blue in color. Green Dzambhala made a vow in front of Buddha Sakyamuni that he will protect anyone who chants his mantra or chant his name. When one has difficulties, it is best to chant sincerely in one’s heart the mantra. Green Jambala’s mantra is the same mantra as the yellow Jambhala Mantra.

Green Jambala Mantra Is :
OM ZAMBALA ZALENDHRAYE SOHA

Old Stock Thangka

This Five Jambhala is our old stock collection, Experience the captivating allure of the "Timeless Splendor" thangka painting, a rare and extraordinary masterpiece that embodies the essence of ancient artistic traditions. Created approximately 15 to 20 years ago, this painting showcases the meticulous artistry and devotion of a single artist, who skillfully prepared the canvas and brought the artwork to life.
The age of this painting adds to its rarity and significance. With its creation dating back 15 to 20 years, it carries the legacy of traditional artistic techniques. Once this collection is sold, no more paintings of its kind will be produced, making it an extraordinary find for art enthusiasts and collectors.
What sets this thangka painting apart is the genuine and thick layers of gold meticulously applied by the artist. The result is a resplendent and opulent appearance that captivates the viewer's gaze. Unlike contemporary practices where different artists handle different aspects of the painting, this unique artwork is a testament to the singular vision and talent of one artist, ensuring a harmonious and unified composition. Read More

About Oil Antique Finishing

The Five Jambhala Thangka, featuring an oiled antique finish, is a remarkable and captivating work of art. This thangka has undergone a finishing process that involves the application of a special varnish, resulting in an antique appearance. The intention is to create the impression that the painting has been graced by the presence of butter lamps over an extensive period. Read More

Introduction to Thangka

A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliqué, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk.

These sacred paintings serve as objects of contemplation, inspiration, and instruction, guiding practitioners on their spiritual path. Thangkas provide a visual gateway to the world of Tibetan Buddhism, encapsulating its rich symbolism, iconography, and spiritual concepts. With their vibrant colors, intricate patterns, and skillful craftsmanship, thangkas offer a profound visual medium for deepening one's understanding and connection to the teachings of Buddhism.

Thangkas come in various sizes, ranging from small pieces resembling Western half-length portraits to grand-scale creations spanning several meters in each dimension. While the larger thangkas are intended for temporary display during religious festivals, the majority of these artworks are designed for personal meditation or as educational aids for monastic students. The compositions of thangkas are meticulously crafted, featuring intricate details and often incorporating numerous small figures. A central deity or focal point is typically surrounded by a symmetrical arrangement of other divine beings, symbols, or narrative elements that convey profound spiritual teachings.

How is Thangka made

First, the canvas on which the painting is to be executed is laid on a wooden frame to determine the required dimensions. This canvas is an extremely finely woven cotton material, referred to in the Holy Scriptures as "Çura Canvas".

Then the canvas is cut, hemmed and, with the use of sturdy strings, very tightly mounted in the wooden frame. Painting is carried out with the frame in an upright position, without any further rigid support or backing.

In this studio, our primary artist, who works virtually exclusively for us, applies the undercoat consisting of a mixture of chalk and glue to the canvas by hand. Other Thangka workshops have turned to mainly using industrially pre-primed canvas.

This photo shows how the canvas, after receiving its base coat followed by a second coating of bone glue, is polished and smoothed by hand with a stone to attain a perfectly smooth, featureless painting surface. Through this process the canvas becomes quite rigid, thereby providing perfect conditions to evoke very finest artistic detail and over-all superior painting quality.

Using a different Thangka, we see how, after mounting, the complete basic pattern of the respective theme is applied to the canvas.

The following picture shows the steps in creating a gold-based Thangka, such as our No PH 9, the "Holy Mount Kailash". To achieve more intensive colour, yet another prime coat, in ochre, is applied, followed by a coat of pure gold. The so-called Thangka painting gold is traditionally produced by members of the Newar people in Nepal. 24-karat gold is ground to finest powder and mixed with bone glue and water in proportions suitable for direct use in painting. Thus, the Thangka gold is not gold leaf at all! Silver can be processed and used in the same way: Mount Kailash and the surrounding peaks in our completed Thangka were not painted with white paint, rather with precious silver.

Here, the nearly completed piece has been removed from the wooden frame. Now only the very finest finishing touches remain to be added, such as compacting the gold and giving Mount Kailash its silver mantle.

K. Lama regarded his already half-finished thangka proudly

The Mount Kailash Thangka, including the black margin (which can also facilitate the fastening of a traditional brocade frame), is now complete. Only the background gold must be compacted in the places where it is later intended to exhibit a sheen.

Here we see an old ballpoint pen casing into which a specially cut agate has been fitted. The back of this semi-precious stone is slightly concave and can be used to compact gold over extensive areas of the Thangka, while the blunt point is used to lineally compact gold, thus creating a shiny effect.

In this way, through partial compaction of the gold or refraining from compaction, nearly three-dimensional effects can be achieved. The glorious sheen of gold artistically treated in this way richly rewards the beholder or meditator with a Thangka possessed of an extraordinarily aesthetic aura.