Name: Hayagriva Thangka, Master Quality, Buddhist Traditional Painting, Tibetan Style, Real Gold – 76 × 51 cm | Cotton Canvas &amp Natural Color by Hayagriva, Ma Toufo – Handmade Handicraft
Brand: Handmade Handicraft
SKU: HME29564
Price: 1600.0 USD
Availability: InStock

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Hayagriva Thangka, Master Quality, Buddhist Traditional Painting, Tibetan Style, Real Gold , Horse-Headed Buddha, Protector of Wisdom and Knowledge Hayagriva Ma Toufo
Product Specification
Code	HME29564
Size	Height 76cm (30") Width 51cm (20")
Weight	200 200 gm - 0.44 lbs
Material	Cotton Canvas & Natural Color
Availability	Available

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Quantity	(Minimum Order Quantity: 1) PCS	US$ 1,200.00 $ 1,600.00 -25% off Shipping Cost
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Hayagriva

Hayagriva is a wrathful manifestation of Lord Avalokiteshvara(The god of compassion). There are108 forms of Hayagriva.[Avalokiteshvara] His special ability is to cure diseases, especially skin diseases even as serious as leprosy, which is said to be caused by the Nāgas.
In Hinduism, one tradition identifies Hayagriva as a group of demons subdued by Vishnu, according to another tradition, Hayagriva was incarnation of Vishnu.
In Tibet, Hayagriva was promoted especially by Buddhist teacher Atisha.It is said that Tibetan horse-dealers worshipped Hayagriva because he could frighten away demons by neighing like a horse. When invoked he announces his coming by neighing, the sound of which pierces false appearances and disguise. Read More

Iconography

Hayagriva is one of the eight principal deities of Kagye where he is referred to as Lotus-like Speech. The instructions related to this form of Hayagriva are based on the so-called "three neighs of the horse"
Very wrathful, red in colour, with three faces, six hands and four legs, the right face is white and the left green. With three large round staring eyes and a cavernous mouth with sharp canine teeth and dark hair flowing upward. On top of the head are three small green horse heads. The right hands hold a vajra, trident and sword, and the left upper hand is outstretched in the mudra (sacred gesture) of bestowing protection, the remaining hands hold a spear and noose. Adorned with a crown of five dry skulls, earrings, gold and jewel ornaments, snakes entwined as jewelry and a tiger skin skirt, he is completely attired in wrathful charnel ground vestments and a set of vajra wings. The consort has one face and two hands, blue-black in colour, holding a skullcup in the left hand, adorned in wrathful attire and a leopard skin skirt. Standing with eight legs, the right bent and left straight, atop two corpses above a sun disc and multi-coloured lotus, Hayagriva dwells surrounded by the flames of pristine awareness.

In Hinduism

Hayagriva is an incarnation of Vishnu, depicted with a human body and a horse's head, brilliant white in color, with white garments, seated on a white lotus.
Hayagriva is a very important deity in the Vaishnava tradition. His blessings are sought when beginning study of both sacred and secular subjects. Special worship is conducted on the day of the full moon in August (Sravana-Paurnami) (his avatara-dina) and on Mahanavami, the ninth day of the Navaratri festival. He is also hailed as "Hayasirsa".
One of the legends states that during the creation, the demons Madhu and Kaithaba stole the Vedas from the creator Brahma, and to save them Vishnu took the form of Hayagreeva. This story represents the triumph of pure knowledge, guided by the divine over demonic forces of darkness.

What is master Quality?

The attribute of "master quality" distinguishes the Hayagriva as an embodiment of extraordinary craftsmanship and artistic excellence. This exceptional piece is directly handcrafted by an artist or craftsman of the highest categorization, reflecting their unparalleled skill and expertise. The uniqueness of Hayagriva lies in its exclusivity to the artist, making it a rare find with nearly impossible chances of finding an identical piece in the same category. While copies may exist, they can never truly replicate the essence of the original, as an artist or craftsman capable of creating such exceptional artistry would prefer to showcase their own creative vision rather than reproduce another's work. Read More

Use of Real Gold

This thangka of Hayagriva has real gold painted on its surface along with other paints. This is an ancient process of decorating the thangka in Tibetan Buddhism, Here gold is ground into gold dust, which is then mixed with other undisclosed material to make it paintable on the canvas. this mixture is then mixed with transparent glue and painted on the thangka. Read More

Introduction to Thangka

A thangka, also known as tangka, thanka, or tanka, is a vibrant and intricate Tibetan Buddhist painting that serves as a visual representation of spiritual teachings. Crafted with meticulous detail on cotton or silk appliqué, thangkas depict a wide range of subjects including Buddhist deities, sacred scenes, mandalas, and narrative stories. These sacred artworks are traditionally kept unframed and rolled up for storage, resembling ancient scrolls. To protect their delicate nature, thangkas are mounted on textile backings and often adorned with a silk cover on the front. Proper preservation in dry environments is crucial to maintain the integrity and longevity of the silk.

These sacred paintings serve as objects of contemplation, inspiration, and instruction, guiding practitioners on their spiritual path. Thangkas provide a visual gateway to the world of Tibetan Buddhism, encapsulating its rich symbolism, iconography, and spiritual concepts. With their vibrant colors, intricate patterns, and skillful craftsmanship, thangkas offer a profound visual medium for deepening one's understanding and connection to the teachings of Buddhism.

Thangkas come in various sizes, ranging from small pieces resembling Western half-length portraits to grand-scale creations spanning several meters in each dimension. While the larger thangkas are intended for temporary display during religious festivals, the majority of these artworks are designed for personal meditation or as educational aids for monastic students. The compositions of thangkas are meticulously crafted, featuring intricate details and often incorporating numerous small figures. A central deity or focal point is typically surrounded by a symmetrical arrangement of other divine beings, symbols, or narrative elements that convey profound spiritual teachings.

How is Thangka made

First, the canvas on which the painting is to be executed is laid on a wooden frame to determine the required dimensions. This canvas is an extremely finely woven cotton material, referred to in the Holy Scriptures as "Çura Canvas".

Then the canvas is cut, hemmed and, with the use of sturdy strings, very tightly mounted in the wooden frame. Painting is carried out with the frame in an upright position, without any further rigid support or backing.

In this studio, our primary artist, who works virtually exclusively for us, applies the undercoat consisting of a mixture of chalk and glue to the canvas by hand. Other Thangka workshops have turned to mainly using industrially pre-primed canvas.

This photo shows how the canvas, after receiving its base coat followed by a second coating of bone glue, is polished and smoothed by hand with a stone to attain a perfectly smooth, featureless painting surface. Through this process the canvas becomes quite rigid, thereby providing perfect conditions to evoke very finest artistic detail and over-all superior painting quality.

Using a different Thangka, we see how, after mounting, the complete basic pattern of the respective theme is applied to the canvas.

The following picture shows the steps in creating a gold-based Thangka, such as our No PH 9, the "Holy Mount Kailash". To achieve more intensive colour, yet another prime coat, in ochre, is applied, followed by a coat of pure gold. The so-called Thangka painting gold is traditionally produced by members of the Newar people in Nepal. 24-karat gold is ground to finest powder and mixed with bone glue and water in proportions suitable for direct use in painting. Thus, the Thangka gold is not gold leaf at all! Silver can be processed and used in the same way: Mount Kailash and the surrounding peaks in our completed Thangka were not painted with white paint, rather with precious silver.

Here, the nearly completed piece has been removed from the wooden frame. Now only the very finest finishing touches remain to be added, such as compacting the gold and giving Mount Kailash its silver mantle.

K. Lama regarded his already half-finished thangka proudly

The Mount Kailash Thangka, including the black margin (which can also facilitate the fastening of a traditional brocade frame), is now complete. Only the background gold must be compacted in the places where it is later intended to exhibit a sheen.

Here we see an old ballpoint pen casing into which a specially cut agate has been fitted. The back of this semi-precious stone is slightly concave and can be used to compact gold over extensive areas of the Thangka, while the blunt point is used to lineally compact gold, thus creating a shiny effect.

In this way, through partial compaction of the gold or refraining from compaction, nearly three-dimensional effects can be achieved. The glorious sheen of gold artistically treated in this way richly rewards the beholder or meditator with a Thangka possessed of an extraordinarily aesthetic aura.