Amoghpasa Lokeshvara
Amoghpasa Lokeshvara is a multi-armed form of Avalokiteshvara that seems to have been popular in Nepal since the Middle ages. The name suggests that he is the lord of the world with infallible noose which leads suffering sentient beings to enlightenment.Amoghpasa is popular not only in Nepal but all the countries where Mahayana Buddhism is practiced. The images of Amoghpasa can be found in Java, China and Japan.
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Iconograply of Amoghpasa Lokeshvara
Amoghpasa is the mystery in the center of the world lotus; all his limbs are white; he has one face, wears the saffron dress. He is wearing an antelope skin symbolizing that he is extremely compassionate to suffering sentient beings. He has eight hands, the right showing the gesture of fearlessness (Skt. Abhaya) and the boon granting gesture (Skt. Varada), holding the noose and the string of beads, the left holding a trident, a scripture, a white lotus and a water pot (Skt. Kamandalu). To the right of the lord is Tara who is of green colour, with two hands, the right showing the Varada mudra and the left holding a blue lotus, she wears all the proper ornaments related with sambhhogakaya Buddha. On his left is Bhrikuti of yellow colour having four hands; on the right her first hand makes the varada mudra and second anjali mudra; on the left the first hand holds a coral tree flower, the second a rosary. He has three divine eyes looking on triple word.
Among four left hands, one principal hand holds Kamandalu i. e. a water pot signifying he has the capacity of initiating all the sentient beings into Tathagatahood.Second left hand holding lotus signifies that he frees the sentient beings residing in Hell realm from the suffering of intense heat and cold just like a lotus emerges from a muddy water. Third left hand holding triple staff (Skt. Tri-dandi) signifies that he purifies three poisons of sentient beings i.e. Just, ill will and stupidity. Fourth left hand holding a scripture signifies that he gives prajna to the devotees and thereby attaining liberation from cyclic existence.
Benifits of Practicing Amogpasha Lokeshvara
Type of Life one should follow to attain the benifts of Amogpasha Lokeshvara : One should practice refraining from bad foods such as meat, liquor, onions and garlic.
1. He will be free from any type of diseases.
2. Even if the disease appears out of Karmic causes it will disappear very soon.
3. He will be popular or liked by all.
4. HIS organs will be secret.
5. He will gain much property and possessions.
6. His property will not be stolen by thieves,
7. Not be affected by fire,
8. Not be affected by water,
9. Cannot be confiscated by the king or government.
10. All his actions will be complete.
11. Free from 5the fears of water, with din his person.
12. Pacifies all disturbances.
13. His personality will not diminish.
14. Free from the fear of Dakinis.
15. Afflictions will no increase.
16. He will not die due to the weapons, fire or water.
17. The devas will take care of his person or protect him.
18. He will have loving kindness, compassion.
19. Joyfulness and Equanimity wherever he will born.
Besides this, he will also receive eight further qualities. They are as follows:
1. When he will die he will be received by avalokiteshvara in monk's form and
2. He will die comfortably
3. His arms and legs will not vibrate, he will not have wrong views.
4. His body will not produce faces and urines, no aerial trouble
6. He is endowed with awareness and alertness, no decrease in memory.
8. He will not die with his face downward,
9. He will not die with heavy affliction,
10. will be born wherever he aspired to be borne, and
11. associated with kalyana mitras
Bronze Finishing
This Amoghpasa Lokeshvara product features a stunning Bronze patina finish. Our store takes pride in offering this exclusive patina, which involves a meticulous process utilizing organic materials such as butter and vegetable color. The aim is to recreate the appearance of an aged bronze statue, evoking a sense of timeless elegance.
The art of giving the bronze color to red copper is truly exceptional and is practiced by skilled craftsmen. With each piece, you not only acquire a beautifully finished Amoghpasa Lokeshvara product but also pay homage to the artisans who are dedicated to preserving this rare and fading art form. The result is a unique and captivating aesthetic that adds a touch of sophistication and nostalgia to any setting.
Why use bronze Color?Bronze color refers to the distinctive hue that is characteristic of bronze metal. It is a rich, warm tone that falls somewhere between brown and copper. Bronze has been used for centuries in the creation of statues, sculptures, and various decorative items due to its unique aesthetic appeal.
While the production of bronze statues can be complex and challenging, particularly in the Nepali statue-making industry, the bronze color can still be achieved through alternative methods such as the Bronze finishing process. In Nepal, sand casting is commonly used for creating bronze statues, but the resulting quality may not always meet desired standards. The Lost Wax system, on the other hand, yields better quality but can be prone to damage during the intricate carving process, leading to a decline in its practice.
Despite the challenges faced in creating bronze statues, the Bronze finishing process offers a way for individuals who appreciate the appearance of bronze to still experience its allure. By applying this finishing technique to other materials, such as Amoghpasa Lokeshvara, individuals can enjoy the look and feel of a bronze statue while preserving the essence of this revered art form.
Example of Bronze finishing
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Process: Sand Casting
This Amoghpasa Lokeshvara has been created using the sand casting system, also known as sand molding casting. This widely employed manufacturing process utilizes a sand mold to produce metal products and components in various sizes and shapes. Sand casting holds significant popularity in the industry, accounting for approximately 60% of all metal castings. The sand casting process involves six primary steps. First, a pattern or replica of the desired sculpture, in this case, Amoghpasa Lokeshvara, is created using a material like wood or metal. The pattern is then placed in a flask, which is a box-like structure divided into two halves. The next step involves packing the flask tightly with specially formulated molding sand, creating a mold cavity that matches the shape of the pattern. The pattern is subsequently removed, leaving behind a negative impression of the sculpture within the sand mold.
The third step is known as gating and risering, where additional channels and reservoirs are added to the mold to facilitate the flow of molten metal and compensate for any shrinkage during solidification. Once the gating system is prepared, the mold is carefully closed and secured. The fourth step involves pouring the molten metal, such as bronze or iron, into the mold through the gating system. After the metal has cooled and solidified, the mold is broken open, revealing the solid metal sculpture. The final steps involve removing any excess material, surface finishing, and polishing to achieve the desired appearance.
Sand casting offers several advantages, including its versatility in producing complex shapes, cost-effectiveness for both small and large-scale productions, and the ability to use a wide range of metals. However, it does require skilled craftsmanship and careful attention to ensure the quality and accuracy of the final sculpture. By utilizing the sand casting system, the Amoghpasa Lokeshvara embodies the craftsmanship and artistry of the process, resulting in a captivating and unique metal artwork.
The process cycle for sand casting consists of six main stages, which are explained below
Mold-making -The first step in the sand casting process is to create the mold for the casting. In an expendable mold process, this step must be performed for each casting. A sand mold is formed by packing sand into each half of the mold. The sand is packed around the pattern, which is a replica of the external shape of the casting. When the pattern is removed, the cavity that will form the casting remains. Any internal features of the casting that cannot be formed by the pattern are formed by separate cores which are made of sand prior to the formation of the mold. Further details on mold-making will be described in the next section. The mold-making time includes positioning the pattern, packing the sand, and removing the pattern. The mold-making time is affected by the size of the part, the number of cores, and the type of sand mold. If the mold type requires heating or baking time, the mold-making time is substantially increased. Also, lubrication is often applied to the surfaces of the mold cavity in order to facilitate removal of the casting. The use of a lubricant also improves the flow the metal and can improve the surface finish of the casting. The lubricant that is used is chosen based upon the sand and molten metal temperature.
Clamping - Once the mold has been made, it must be prepared for the molten metal to be poured. The surface of the mold cavity is first lubricated to facilitate the removal of the casting. Then, the cores are positioned and the mold halves are closed and securely clamped together. It is essential that the mold halves remain securely closed to prevent the loss of any material.
Pouring - The molten metal is maintained at a set temperature in a furnace. After the mold has been clamped, the molten metal can be ladled from its holding container in the furnace and poured into the mold. The pouring can be performed manually or by an automated machine. Enough molten metal must be poured to fill the entire cavity and all channels in the mold. The filling time is very short in order to prevent early solidification of any one part of the metal.
Cooling - The molten metal that is poured into the mold will begin to cool and solidify once it enters the cavity. When the entire cavity is filled and the molten metal solidifies, the final shape of the casting is formed. The mold can not be opened until the cooling time has elapsed. The desired cooling time can be estimated based upon the wall thickness of the casting and the temperature of the metal. Most of the possible defects that can occur are a result of the solidification process. If some of the molten metal cools too quickly, the part may exhibit shrinkage, cracks, or incomplete sections. Preventative measures can be taken in designing both the part and the mold and will be explored in later sections.
Removal - After the predetermined solidification time has passed, the sand mold can simply be broken, and the casting removed. This step, sometimes called shakeout, is typically performed by a vibrating machine that shakes the sand and casting out of the flask. Once removed, the casting will likely have some sand and oxide layers adhered to the surface. Shot blasting is sometimes used to remove any remaining sand, especially from internal surfaces, and reduce the surface roughness.
Trimming - During cooling, the material from the channels in the mold solidifies attached to the part. This excess material must be trimmed from the casting either manually via cutting or sawing, or using a trimming press. The time required to trim the excess material can be estimated from the size of the casting's envelope. A larger casting will require a longer trimming time. The scrap material that results from this trimming is either discarded or reused in the sand casting process. However, the scrap material may need to be reconditioned to the proper chemical composition before it can be combined with non-recycled metal and reused.
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