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Green Tara-24355
Date Added : 2021-08-04 07:39:10      (683)Views

Buddhist Statue of Green Tara, Stone Setting, Traditional Color, Face Painted

Code HME24355
Size
Height
36cm (14")
Width
29cm (11")
Depth
18cm (7")
Weight 4.69 kg - 10.35 lbs
Material Copper
Availability Available

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Filling & Blessing
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$87 Filling and Blessing
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$81 Filling Only
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$14 Blessing Only
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Statue Finishing
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$109 Partly Gold Plated
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$130 Partly Gold Plated with extra gold
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$213 HQ, Partly Gold Plated
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$109 Electro gold Plated
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$140 Electro Gold with painted Face
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$140 Electro Gold with Antique finish
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$161 Electro Gold Plated with Painted face an
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$266 Full Gold with face paint
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$245 Full Fire Gold Plated
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$370 HQ, Full Fire Gold with face paint
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$266 Full Fire Gold Anique Finishing
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$380 HQ, Full Fire Gold With Matt Finishing
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$401 HQ, Full Fire Gold with Antique Finihsin
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$443 HQ Full Gold with Gold Painted Skin
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$109 Colors only Basic
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$266 Color and Gold Good
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$370 Good Quality Color and gold Good Quality
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$266 Color Gold and Sivler
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$370 HQ, Color and Stond Setting
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$527 HQ Gold Empahised Color support
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$840 HQ, Cremamic wasable Color, with Gold
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$36 Chocolate Oxidized
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$36 Dark Chocolate oxidized
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$57 Chocolate oxidized with Silver plating
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$46 Double Color Oxidation
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$46 Chocolate Oxidized with Painted Face
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$46 Silver Plated Oxidized
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$57 Extra Silver Plated Oxidized with Painte
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$67 Silver Plated Double Color Oxidized wit
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$130 Silver Plated, Gold ornament, with Doub
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$130 Silver Skin and Gold ornaments Plated D
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$36 Antique With red Powder
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$67 Antique finishing with face paint
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$130 Green antique finishing
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$192 Painted Antique Finishing
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$161 Super Antique
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$15 Glossy Finished
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$36 Copper Plated
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$88 Stone Setting
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$98 Stone Setting & Antique Finishing
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Quantity PCS US$ 1,100.00
Shipping Cost
  • Shipping Calculation

    weight of 1 Pcs of the product is 5.5 kg and will cost USD $ 72.52
    - [Package will go by volume weight]

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  • Item location: kathmandu, Nepal
    Worldwide shipping

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  • We normally dispatch the product in 2-5 business days. Else Buyer will be infromed personally about the dispatch Date.

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  • Paypal | Credit - Debit Card | Bank Transfer | See More
  • Return
  • 7 days money back, buyer pays return shipping



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Green Tara
Samaya Tara, popularly known as Green Tara. She is represented in a royal ease posture with her left leg bent her left leg overstepping the main lotus and resting on a blue lotus ready to get up and offer assistance to those in need. She is portrayed with maroon Buddhist robes and jewelry. The earrings represent patience, understanding, and renunciation. The diadem with five jewels represents the transmutation of the five delusions into the Five Buddha Wisdoms. She is shown with a benevolent countenance seated upon a white moon disk which is associated with special restorative nectar associated with the naval chakra center. In Buddhists, the moon symbolizes the wisdom aspect which when coupled with compassion leads to Sakyamuni Buddha's enlightenment. Her right hand is gracefully lowered in Varada mudra, the boon-granting gesture. Read More
Iconography
Green Tara's special lotus is the blue lotus or 'night lotus' which she bears in both hands. The word utpala means to 'burst open'. Her left-hand holds a stem with an open blooming flower and an unopened bud. The bent lower part of the stem represents the root. The open blossom represents the present and also the present Buddha; the bud represents the future and also Buddhas yet to be born. The future here also refers to a safe journey's end and future well-being. Her right-hand wisdom hand is in the gesture of giving refuge. The third finger touches the thumb to create a circle representing the union of wisdom and compassion, and the three extended fingers symbolize the Three Jewels of Buddhism a. The Buddha State b. The Body of Teachings. The Principles of the Universe The same hand holds the stem of a blue lotus representing her willingness to assist. The closed blossom in her right hand represents the past and also the Buddhas of the past. Green Tara is shown in a place of paradise called Khadiravani where she Tara dwells. Khadiravani is described as a great mountain kingdom with many trees, flowers, and animals (not shown). 3 rainbow tails emanate from her outer aureole. The crescent moon and sun symbolize the union of male and female ubiquitous in Tantric art.
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The seventy-two golden lines represent psychic energy channels emanating from her body and her central psychic channel running up her spinal column. Each one signifies a thousand as there are traditionally seventy-two thousand channels. The gold lines alternate between wiggly and straight to represent the two main psychic channels running up the central channel that entwine to create the interlocking 'snaking' caduceus to which the energy channels are connected. The trees in the foreground are the Ashoka Tree. The word Ashoka means 'without sorrow' and is the tree linked to the Vedic God of love and sexual union Kamadeva. Apparently, the tree blossoms when a virtuous lady touches it.
Commentary
The word Tara means the one who saves. The word Tara is derived from the root tri meaning to cross and in context is taken to mean the one who helps people to cross the Ocean of Existence and Suffering. Green Tara is also called 'dark' Tara or more directly Shyama Tara. Green Tara is associated with the Amoghasiddhi who is also green and the north-facing Meditation who is head of the action family. Her willingness to help others is shown by her body posture with one foot ready so that she can rise to offer assistance. Like WhiteTara, she was born of the tears of compassion of the Bodhisattva Avalokiteshvara, resulting from the extreme state of sadness he experienced when observing the continuing ceaseless suffering which he sought to end.
Finishing: Stone Setting
The Green Tara is adorned with an exquisite array of semi-precious stones, including turquoise, coral, and lapis lazuli. These stones are carefully selected and meticulously placed on the Green Tara's surface, adding a touch of opulence and enhancing its overall beauty. Each stone is thoughtfully positioned using a high-quality adhesive, ensuring secure and long-lasting attachment. The vibrant colors and unique patterns of the stones create a captivating contrast against the backdrop of the Green Tara, elevating its visual appeal and making it truly eye-catching. Read More
Gold Painted Face
The face of Green Tara is painted with gold to enhance its significant features, particularly the eyes, and lips. This detailed painting is essential as it brings forth the crucial attributes of the expression of eyes and lips that metal carving alone cannot capture.
Moreover, the painted face serves as a symbolic and sacred ritual in Buddhism, preparing the statue for consecration and practice. The act of painting the face with gold in Buddhism holds deep meaning. It represents the intention to bring life and expression to the statue, imbuing it with a sense of vitality and presence. The application of gold on the face showcases the devotion and craftsmanship of the artisans, ensuring that every detail is carefully attended to honor the sacred essence of the Green Tara. Read More
About Color Finishing
The Green Tara is adorned with traditional colors, creating a captivating aesthetic through a combination of gold and various hues. This painting technique follows a time-honored process that aims to faithfully represent the Green Tara in accordance with traditional color descriptions. In the context of Buddhist statues, this approach holds great significance. Each statue has its own primary color, and it is crucial to depict the statue in its authentic shade. Read More
Lost-Wax System
This Green Tara is made by the process of the Lost-Wax system. The lost-wax process, also known as investment casting, is a time-honored technique used to create metal sculptures. It involves several steps that have been practiced for thousands of years. Skilled artisans begin by sculpting a detailed wax model, capturing every intricate detail of the desired sculpture. The wax model is then coated with a ceramic shell, formed by multiple layers of ceramic material. Once the shell has cured, the wax is melted and drained out, leaving behind a cavity. Molten metal is poured into the cavity, creating a precise replica of the original wax model. After the metal has cooled and solidified, the ceramic shell is carefully removed, revealing the final metal sculpture. Read More
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