Buddhist Statue Of Stupa, Custom Finishing 3 of 8, 22 by 11 cm, made by Copper Gold Plated, Buddhist Statue, Stupa

Date Added : 2021-02-03 01:39:06 (400)Views


Buddhist Statue of Stupa, Custom Finishing 3 of 8
Code	HME22818
Size	Height 22cm (9") Width 11cm (4") 22 x 11
Weight	1200 1.2 kg - 2.65 lbs
Material	Copper Gold Plated
Availability	Available

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New Feature: Operational, (Refinement in Process)

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Partly Gold Plated

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HQ, Partly Gold Plated

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HQ, Full Gold with face paint

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Full Gold HQ with Antique Finihsing

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Full Gold with face paint

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Full Gold With Matt Finishing

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Full Gold Plated

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Electro Gold Plated with Painted face and Antique Finishing

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HQ Full Gold with Gold Painted Skin

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Gold and gold Good Quality

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US$ 130.00

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weight of 1 Pcs of the product is 1.5 kg and will cost USD $ 36.42

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Item location: kathmandu, Nepal
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Eight Stupa
Stupas (Tib. Chorten) are Buddhist temples that perfectly express the essence of the mind. Not only do they symbolize the Buddha state of "inseparable body, speech, and mind," but also the whole journey through the ten stages of Bodhisattva before absolute enlightenment. Translated from the Tibetan "Cho" means gifts and "rten" foundation; thus, a stupa is the base or ideal place for the enlightenment to give gifts. This leads in one's mind to optimistic imprints-the one who feels everything and leads to liberation and enlightenment. Read More

The stupa is a traditional structure of architecture, filled with relics and written mantras, which demonstrates the harmony and perfection of all universal principles and invites the human mind to participate in the growth and endless possibilities.

Basically, in the Sutras, the direct teachings of Buddha, one can find examples of eight different kinds of stupas. They apply to important events, such as his birth, his enlightenment, his teachings and his death, in Buddha Shakyamuni's life. According to these cases, the first stupas of this kind were constructed at different locations in India and today's Nepal and became holy sites.

Later, the so-called "Tathagata Stupas of the Eight Sacred Places" tradition came to Tibet. You can still find all eight stupas in a row on top of an enclosed wall at some Tibetan monasteries, counting 108 or even 1,080 stupas all together.

In Europe, it is very unusual to see all the eight stupas constructed together. In France (Montchardon), for example, one row is located and, since 2017, a beautiful set crowns Karma Berchen Ling.

A powerful protective field is formed by the eight stupas which can keep negative forces away. Established at the entrance, this "wall of stupas" not only reminds us of Buddha's deeds but also outwardly protects the retreat spot.

Lotus Stupa Tib. Pepung Chorten The main body of this stupa appears in the form of a lotus and symbolizes Buddha’s birth in Lumbini.	Enlightenment Stupa Tib. Jangchub Chorten This stupa symbolizes the full development of mind, the state of a Buddha. It was built by the Dharma king Bimbisara, honoring Buddha’s enlightenment in Bodhgaya. On the evening before reaching enlightenment, Buddha Shakyamuni removed the last subtle veils and obstacles in his mind, which is also represented in this stupa.	Stupa of Many Doors Tib. Taschi Gomang Chorten This stupa represents the Dharma, the teachings of the Buddha about the way things are. It is also called “Wisdom Stupa” and was built on the occasion of Buddha’s first teaching “The four noble truths” which he gave in Sarnath/Varanasi. The stupa represents the threefold turning of the wheel of Dharma and contains all teachings Buddha gave.	Stupa of Great Miracles Tib. Chotrul Chorten This stupa represents the miracles performed by Buddha when he converted the “followers of wrong views” (non-Buddhist masters) through his power of miracles. A person named Lisabi built this stupa in the Jetavana Grove in Shravasti.
Stupa Descent from God Realms Tib. Lhabab Chorten Buddha gave teachings to his mother in the heaven of thirty-three gods (Trayastrimsha Heaven). Buddha’s descent from this realm back to earth is symbolized by this special stupa with three ladders on each side. The first stupa of this kind was built in Samkashya.	Stupa of Reconciliation Tib. Yendum Chorten The cousin of Buddha named Devadatta had caused a split within the community of practitioners. To mark the reconciliation of the Sangha, this stupa was built in Rajgir.	Stupa of Complete Victory Tib. Namgyal Chorten Shortly before his death Buddha extended his life for three months because his students asked him not to pass away. This happened in Vaishali. This stupa is also known for its healing power.	Paranirvana Stupa Tib. Nyangde Chorten This stupa symbolizes Buddha’s leaving the conditioned existence (death) in Kushinagara. The main body of the stupa has the form of a bell, and is a symbol for the perfect wisdom of Buddha.

What Does mean Unfinished?
We have completed the carving process of this product. Now the devotee can choose what patina finishing they like. We will apply the finishing according to their requirement.
Like Gold plated, Partly gold Plated, Antique or same as pictures etc.

Lost-Wax System
This Eight Stupa is made by the process of the Lost-Wax system. The lost-wax process, also known as investment casting, is a time-honored technique used to create metal sculptures. It involves several steps that have been practiced for thousands of years. Skilled artisans begin by sculpting a detailed wax model, capturing every intricate detail of the desired sculpture. The wax model is then coated with a ceramic shell, formed by multiple layers of ceramic material. Once the shell has cured, the wax is melted and drained out, leaving behind a cavity. Molten metal is poured into the cavity, creating a precise replica of the original wax model. After the metal has cooled and solidified, the ceramic shell is carefully removed, revealing the final metal sculpture.

Process of loss wax system
The lost-wax process offers exceptional quality control and customization, making it a preferred choice for artists seeking intricate and personalized metal artwork. Despite the availability of newer methods, the traditional lost-wax technique continues to be valued for its historical significance and the craftsmanship it embodies.

The method of metal casting in which molten metal is poured into a mold that has been created by means of a wax model. Once the mold is made, the wax model is melted and drained away. Bronze statues come to life differently than marble statues. Instead of carving a block or marble, the bronze artist uses the lost-wax technique to make a series of molds and then pours melted bronze into the final mold to create the sculpture. This method has been around since 4500 BCE.

There are a few important steps in the lost wax casting process:
Step 1: Sculpting ( It all starts in the studio with an idea, Then figuring out how to realize the vision in clay.)
Step 2: Mold Making.
Step 3: Wax Pouring.
Step 5: Wax Spring.
Step 6: Shell Dipping.
Step 7: Bronze Pouring.

Interestingly enough Loss wax process is also called Investment casting because after layers have been formed and dried, the wax is melted out of the ceramic tree by using steam (120°C) in an autoclave. This is why it is called "lost wax casting". The majority of the molten wax can then be regenerated and reusable.

Before Making statue :At work room making the wax models.	Softening a piece of wax over a brazier.	Relaxing after softening the wax The working environment with works in progress.
Working the face of an Ekajata wax model.	Working the face of wax model.Using a modeling tool to form the face of Ekajata.	Deatail of wax model
The design for Ekajata compared to the Tibetan book on which it was based.Statues Maker Are master in buddhism .	Detail of A partially finished Candamaharoshana (Acala) wax figure made in the Tibetan style.	A finished wax image of Mahakala.
Anthor Finished Wax Model of Shakyamuni Buddha	One of the modelers working in the room shows the Pehar image on which he is working.	The artist showed how the goat , which had been completed earlier, fits under the image. ,
Tej Jyoti Shakya and his wife, Nani Maya Shakya Covering the wax model in a mixture of clay and dung	Pressing the mixture of clay and dung around the wax image.	The board with the clay and dung mixture ready for use.
Model Pieces drying after the initial (dipped) thin layer of fine clay.	Clay-covered model pieces drying in the sun.	Molds waiting to be put into the burnout furnace
The same molds, seen in the previous image, in the burnout furnace	The double row of refractory bricks used to support the heated molds during casting.	The melting furnace and a pile of coke used for melting the metals. Laying the bed of coke in the melting furnace.
The first ignition of the coke.	Checking the coke bed.	The electric blower used to force air into the melting furnace
Beginning to fill the crucibles with scrap copper.	Preparing the bed of burning coke to receive the crucibles	Sorting various metals used in the alloys.
Weighing precious metals that are used in the alloys	Weighing copper from Singapore to achieve a correct alloy.	Different sizes of crucibles and various types of metals to be cast in this melt.
Placing the crucibles in the bed of coke filled with metal are in place.	After the crucibles are in place, more coke is piled around them.	The crucibles are covered with scrap metal to hold in the heat.
The electric fan is then connected.Soon a very hot flame is produced.	The entire furnace temperature goes up to about 1800 -1900 degrees.	Setting up molds in between the refractory bricks to receive the molten metal. Handling the molds with asbestos gloves and bracing them with fragments of bricks.
Pouring the molten metal into the base of a mold	Another view of the artists pouring the molten metal.Detailed view showing the molten metal being poured into the sprues.	Preparing to lift and pour molten metal from one of the larger crucibles.
Cooling a mold containing the recently poured metal.	Beginning to break away the clay mold from the metal casting. The mold breaks away revealing the metal image inside	The first metal image from the day's work.
Examining the image for flaws	Two auras (prabhamandalas), one that cast perfectly and one (in front) that only partially filled.	Opening more molds

Researchers mark specific metal images for future identification.	Cleaning the details of the image with a metal tool.	Sawing off the sprues from Aura image. The sprue metal will be reused in future castings.

Two auras that worked perfectly. The one on the right has been cut off of the sprues, while the one on the left still has the sprues attached.	The finishing specialist begins the finishing process with a set of tools, including a small hammer. to give more detail	The entire surface of the image will be gently hammered to a final, almost polished finish.

The finisher's tools and the work in progress	Finishing work on an image of the Buddha.	Hammering the chest of an image that is being held against the work block

A Buddha image hammered and chased to the final, detailed finish.	Cleaning in a very mild acid bath. The image and prabhamandala are placed in a final acidic bath to make sure the surface is absolutely clean.	Drying the image with a blow torch.