Metal Pendant
A Nepali metal pendant is a traditional piece of jewelry that is crafted in Nepal using traditional techniques and materials. The pendant is typically made of metal, such as brass or silver, and is intricately designed and embellished with cultural motifs and symbols.
The design of the pendant may be inspired by Nepali culture and symbolism, with patterns and motifs that represent different aspects of Nepali life, such as nature, religion, or social customs. These designs may be created using traditional techniques, such as etching, stamping, or engraving, and may be further embellished with beads, gems, or other decorative elements.
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The pendant may be worn on a chain or cord around the neck, and is often used as a statement piece or as a talisman to protect the wearer from negative energies or evil spirits. It is also commonly given as a gift to family members or friends, particularly on special occasions, such as weddings or religious ceremonies.
Overall, a Nepali metal pendant is a beautiful and unique piece of jewelry that represents the rich cultural heritage of Nepal and the skill and artistry of its craftsmen. It is a treasured possession that carries deep meaning and significance for those who wear it or receive it as a gift.
Endless knot : About Endless Knot, Srivatsa
The endless knot or eternal knot (Sanskrit: śrīvatsa; Tibetan དཔལ་བེའུ། dpal be'u; Mongolian Улзии) is a symbolic knot and one of the Eight Auspicious Symbols. It is in important symbol in both Jainism and Buddhism. It is an important cultural marker in places significantly influenced by Tibetan Buddhism such as Tibet, Mongolia, Tuva, Kalmykia, and Buryatia. It is also sometimes found in Chinese art and used in Chinese knots.
In Jainism it is one of the eight auspicious items, an asthamangala, however found only in the Svetambara sect. It is often found marking the chests of the 24 Saints, the tirthankaras. It is more commonly referred to as the Shrivatsa.
Double Dorje : About Double Dorje
The double vajra or crossed vajra is formed from four lotus-mounted vajra heads that emanate from a central hub towards the four cardinal directions and symbolizes the principle of absolute stability. In the cosmographic description of Mount Meru a vast crossed vajra supports and underlies the entire physical universe. Similarly in the representation of the mandala, a vast crossed vajra serves as the immoveable support or foundation of the mandala palace and here the central hub of the vajra is considered to be dark blue in color with the four heads colored to represent the four directions-white (East), yellow (South), red (West) and green (North). These also correspond to the five elements and the buddhas of the five families with blue Akshobhya in the center.
It's also an emblem of the green buddha of the north, Amoghasiddhi, and represents his all-accomplishing wisdom as lord of the karma family of activity.
The raised throne upon which masters are seated when teaching is traditionally decorated on the front by a hanging square of brocade displaying the image of a crossed vajra in the centre, often with four small swastikas in the corners. This emblem represents the unshakeable ground or reality of the Buddha's enlightenment.
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